- #N to m stitching clo3d how to
- #N to m stitching clo3d manual
- #N to m stitching clo3d pro
- #N to m stitching clo3d software
Many features have need added to Photoshop over the years it is more that an image editor these days its a professional tool.
#N to m stitching clo3d manual
The drone manual says the images are 3x8 +1, but for some reason there are 26 images, not 25 as would be expected. I've played around with all the various different settings and options, but can't get it to work.
#N to m stitching clo3d software
Why is PS not able to stitch it together properly? Other software seems to manage. However, it's clunky doing it this way and I'd like to be able to do it all from end to end in PS if possible. This works perfectly if I stitch them together first in another program (I'm using MS ICE) then do the rest in PS.
The idea is to stitch them together, then change the image ratio to 2:1 for a true equirectangular 360° spherical panorama, and the let it do a Content-Aware Fill for the missing portion of sky on the now blank bit of canvas. When I open the individual RAWs into PS and Photomerge into a spherical panorama, the results aren't correct the bottom (nadir) is pinched (see image). It also saves individual high resolution RAW files. The drone does it's own stitching, and these are okay but quite low resolution. Due to gimbal limitations, it does not photograph the sky it can only tilt to 30° above the horizon.
#N to m stitching clo3d pro
20.I've been taking some 360° spherical panoramas with my DJI Mavic 2 Pro drone. You have to ask yourself questions about the output mesh! Triangulate or quadrangulate? Single object or multiple objects? Unweld or weld? Thin or thick? Generally, if you're looking to sculpt over the exported mesh, you have to convert the patterns to quads and if you're looking to simulate it in other software, you can keep it as tris! Here I convert all the patterns to quad mesh, and in the Export Options I choose Multiple Objects, Unweld, Thin and Unified UV coordinates. Repeat this step for all garments, and after you're done, Unfreeze everything and run the simulation again! Now raise the particles intensity gradually from 20 to 4 to increase the garment's quality and simulate each time! (See the mix and match clothes video.) 19. Go to the next garment which should be on top, Activate it and set it to Layer to 1, then hit Simulate and Freeze. After you've finished the simulation, right-click and Freeze the garment. Start from the underneath garments, activate it then simulate. Select all your garments, right-click and choose Deactivate (Pattern and Sewing). Add all your garments to the scene, set the Particle Distance to 20 for everything. Start a new file and load your Avatar, from File>Add>Garment. This method will allow you to focus on designing one garment at a time you will never get distracted by other garments in the scene and it will make MD simulate way more efficiently, avoiding any clothes intersects. If you are dealing with very complex clothing design, you should work on each garment separately and then merge everything in one file and simulate them using the layers system in MD.
MD allows you to create a library of clothes and each garment you create can be modified and re-used to fit other characters. Think about three major things: the main patterns that create the garment, the sewing seams and how these patterns are sewn together, and finally the other details such as pockets, zippers, buttons, and so forth. Sketching clothes on paper will help you understand sewing patterns and explore ideas.
#N to m stitching clo3d how to
The most important thing to know is how to read the sewing blueprints! Go to the public library, grab some sewing books and read about the basics of sewing. You don't have to be a fashion designer to use MD, but you should know the basics of fashion design. Begin by sketching the design and texture so you have a good idea about the clothing before starting in MD
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